Do you want to learn how to accurately draw, paint, or sculpt?

First, learn to see.

Sight-Size is the best way to do that because it allows you to directly compare your artwork to nature.

The result is a visually accurate 1:1 comparison.

Educate the eye before you educate the hand. The hand will become cunning soon enough when the eye has learned to see, whereas if the hand be educated before the eye one may never see.

Carolus-Duran (1881)

John Singer Sargent

Sargent, when he painted the size of life, placed his canvas on a level with the model, walked back until canvas and sitter were equal before his eye, and was thus able to estimate the construction and values of his representation.

Sir William Rothenstein (1931)

Richard F. Lack

To see is the student's first and last concern. Without a well-trained eye a student can never rise above mediocrity. If there ever was a secret of the old masters, it surely was their extraordinary ability to see.

Richard F. Lack (1975)

Philip de László

I set my canvas beside my sitter, but what I put on that canvas I judge from a certain distance [so as to see] my subject as a whole. When I stand back I am recording mentally what I am going to put on my canvas when I walk up to it.

Philip de László (1934) exists to help you learn to see.
And, by extension, to draw, paint, and sculpt.
-Darren R. Rousar

Darren provides helpful tips that only an active, involved teacher can provide. It's clear he has worked with students who tackle the problems he addresses when learning to see values and shapes correctly. Each problem is addressed with a solution, helpful tips and encouraging advice.
-A. Champlin


Darren R. Rousar is a master teacher and made the whole process so simple and easy. Everything you need to get started is right here.
-Dianna H.


What you will learn from Rousar is a way of drawing that is focused and sure. It is like having him there beside you as he walks you through an approach to skill development in drawing. He is one of those rare teachers, formed from the studio tradition, who understands the how and why, and can explain it and do it.
-David P.

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Gilbert Stuart

Darren R. Rousar   May 7, 2013

Gilbert Stuart was one of America's great portrait painters. This self portrait was done while Stuart was in England, studying with another American ex-patriot painter, Benjamin West.

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Making Charcoal

Darren R. Rousar   September 16, 2015

While there was a time when chalk was preferred, charcoal is the now most common drawing medium used in ateliers. In fact, it is one of man’s earliest drawing mediums, as evidenced by many cave drawings as well as the ease with which simple charcoal can be produced - the remains of a campfire.

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Richard Whitney

Darren R. Rousar   October 4, 2015

The subjects in Richard Whitney's portraits seem as if they are alive, they are masterfully done, without being overly rendered or colored. He is a prolific landscape painter as well and nobody paints spring tree buds and apple blossoms like he does.