Sight-Size Articles

Articles about Sight-Size

Here is an ever-growing collection of articles related to the Sight-Size approach. Many of these articles expand on the lessons I teach my own students. Others are of more historical interest. And yes, many contain promotional content to my free guide, books, and online courses. You can learn how to see accurately so that you can successfully draw what you see. Therefore, all of the content I produce is centered on helping you do that.

tyce-FI

Train Your Comparative Eye

Although some may prefer to always work in Sight-Size, not all do or are able to all the time. Furthermore, not every subject or scene lends itself to the Sight-Size arrangement. In those cases the only other option is comparative measurement. Scaling your drawing should be no trouble for you if you’re skilled in seeing through Sight-Size. Since it is a distinct skill, however, it only makes sense to train that ability. And once you do, you’ll have gained a comparative eye.

Read More...

John Singer Sargent

In 1903 Frederick Fiske Warren commissioned Sargent to paint a group portrait of his wife and daughter. The sittings took place in a room of Isabella Stewart Gardner’s Fenway Court. Midway through the painting a photographer was brought in to document the process. Notice the placement of the canvas, the models and Sargent himself.

Read More...

Henrietta Rae

Henrietta Rae’s interest in art began at an early age. After two years of drudgery at the Queen Square School, she began studying art in the Antique Galleries of the British Museum. She was only 15 at the time.

Read More...

Sir Henry Raeburn

One early proponent of Sight-Size was Scottish painter Sir Henry Raeburn. The most extensive biography on Raeburn is Edward Pinnington’s, Sir Henry Raeburn, R.A. Written in 1904, it is still the most often quoted when it comes to writing about Raeburn’s painting technique.

Read More...

Lord Leighton

Sickert’s instructions for how to go about drawing the figure, attributed to Lord Leighton, are textbook Sight-Size. True enough, putting your easel eighteen feet away from the model and then standing an arm’s length away from it, results a seven to ten inch figure.

Read More...

Gilbert Stuart

Gilbert Stuart was one of America’s great portrait painters. This self portrait was done while Stuart was in England, studying with another American ex-patriot painter, Benjamin West.

Read More...

Sir Gerald Festus Kelly

Sir Gerald Festus Kelly was born in London in 1879. He was educated at Eton College and Trinity Hall, Cambridge. In 1901, Gerald’s father, the Vicar of Camberwell, sent him to France to study painting.

Read More...

Emma Nessi

Emma Nessi studied privately with Cesare Tallone, at the Brera Academy, around 1906. Not much is known about her, in English anyway, and I’d be grateful to learn of any images of her paintings, or other information.

Read More...

Philip Alexius de László

Philip Alexius de László was an Hungarian artist, born in 1869. Although he began his career as an historical painter, he is best known for his portraiture of early twentieth-century English and American socialites. He had a bravura style of brushwork which fit well with his contemporaries (and competition), Sargent, Sorolla and Zorn.

Read More...

Cesare Tallone

Cesare Tallone studied at the Brera Academy in Milan, between 1872 and 1880. He was most well known for his portraits and he had a working friendship with Antonio Mancini.

Read More...
steps-to-seeing-cta-2021

GET YOUR FREE GUIDE

And you can begin learning to draw what you see today!
.

Your privacy is as important to me as is my own. I'll never give out your information and you can unsubscribe anytime through the link at the bottom of all my emails to you. Still not sure? See the site's privacy policy.