Instruction in Sight-Size

Instruction in Sight-Size

Sight-Size is as much about learning to draw and paint what you see as it is about actually drawing and painting. This collection of articles provides a wealth of information on the subject.

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After Darkness, Light

When drawing and painting from nature we’re hindered almost as much by our tools as we are by our lack of skill. Foremost among those difficulties is nature’s range of value compared to that of our chosen medium. Nature’s gamut is far wider than ours, and the divergence is tilted towards the darks. That is one reason why it’s almost always best to begin with the darks, and only after darkness, light.

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Is Bargue Bad?

Plates from what is known as the Bargue-Gérôme Drawing Course are routinely copied by students in dozens of ateliers around the world. Some schools even base their entire curriculum on them. Thousands of self-taught students use them as well. In fact, the Free Guide I offer on this site is dependent on Bargue plates. But did you ever wonder, is Bargue bad?

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The Sight-Size Still Life

Sight-Size cast drawing is used to teach students how to see shape and value. Oftentimes still life painting in Sight-Size is a common next step, and it is used to teach atelier students how to correctly see color notes. But Sight-Size still life is not only a student-level task. Many professional artists use Sight-Size for still life painting as well.

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Radiator Fingers

There is more to being a portrait painter than just capturing the sitter’s likeness. Among the other considerations is creating an effective composition, one that gives the viewer a reason to look at the painting beyond the mere factual aspects. A far too often overlooked compositional tool are the sitter’s hands. And when you miss that tool, you risk representing radiator fingers.

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Keep Everything Moving

Finishing one area at a time is death to relational seeing. It interferes with your ability to compare relationships, whether that’s between shapes, values, color, or edges. Better is to keep everything moving along at the same pace. That not only eliminates the risks of piecemeal seeing, it also helps to assure an accurate representation. But how do you keep everything moving when nobody can effectively do more than one thing at a time?

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A Color Cast

Proper training in any subject requires that you begin with simple elements and only after they are mastered would you move onto the next. That is why most ateliers begin their students education by drawing casts in charcoal. From there they move onto cast painting en grisaille, and then still life in full color. But some skip over the grisaille cast stage and jump straight to color by having their students paint a color cast.

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The Isolator

Every now and then you may have heard the comment, “do as I say, not as I do.” The intent, of course, is to get you to do something that the speaker might not normally do. And so it is with the Isolator. It’s not normally part of my artistic kit. Nevertheless I have on occasion recommended it to my students.

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80/20 Cast Drawing

Common in the world of business is a concept called the Pareto Principle, which is better known as the 80/20 Rule. Generally speaking, it states that roughly 80% of the results come from only 20% of the effort. The principle has been shown to be valid in a surprising number of fields including economics, athletics, and computer coding. Relative to learning to see, the 80/20 rule also applies to cast drawing.

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Level Up!

Level Up!

One issue many students face when first attempting Sight-Size is keeping their plumb line level. The problem is the relative strength of your dominate arm, and oftentimes the result is a drawing that is higher on the paper than is the subject. The solution is to level up!

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Buy A Nose

Beginning students must learn to see nature simply, unencumbered by all the little piecemeal details. Under proper lighting many casts can provide this. But Michelangelo’s nose of David gives us simplicity, regardless of lighting. Due to that, the first thing I ask my students to do is to buy a nose.

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Photographing Your Work For A Critique

Online art students face numerous challenges and the most daunting is providing their instructor with photographs of their setup to be used for a critique. This is all the more critical when the artwork is being done in Sight-Size. Succeeding with the task is not difficult, but it does take some preparation and attention.

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Cast Alternatives

The primary route to learning to see and draw is through cast drawing. That is not only tradition, it is also effective. But for some people, due to location or finances, acquiring a cast can be difficult. If that describes your situation, don’t fret. You do have alternatives.

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You can learn cast drawing in Sight-Size at home!

Learning how to accurately see, as well as draw, is best done through cast drawing in Sight-Size. Ateliers exist worldwide to help you do that. But what if you cannot attend an atelier? Or, perhaps you're already in an atelier and would like to supplement that training? I can help.